Esther Sheridan


Type Aspect
High Concept An expatriated English lady, and Headmaster of Madam Sheridan’s Orphan’s House And Boarding School
Trouble My life is my Boarding School and Melissa
  Maxima potentia persona, Educatio est (Education is someone’s ultimate weapon)
  Everything is fair enough to make everyone receive a good education
  The _Century Club is all abput courtesy, respect and human growing_


Approach Level
Careful Fair (+2)
Clever Fair (+2)
Flashy Good (+3)
Forceful Average (+1)
Quick Average (+1)
Sneaky Good (+3)

Stunts [ Refresh: 3 ]

  • Cold Read (p. 95)
  • Don’t mess with me (p. 95)
  • Hey, Did I Ever Tell You About (p. 95)
  • Call in a Favor (p. 95)


Esther Sheridan is already a somewhat old lady, but still beautiful and gracious, a English lady through and through that brought some sensation in the growing New Yorker High Society and jet-set. As part of the Century Club, she works through his school, the Madam Sheridan’s Orphan’s House And Boarding School. She’s always dressed into a sober way, without luxury, but she can extract elegance from simplicity.


Pomp and circumstance are a constancy in Esther’s life: no matter her money is not what was in the past, she try to take beauty, elegance and elan for each and every moment. In school, she demands discipline, but offers in exchange erudition and good place for education. Also she’s very tolerant: no matter the kind of people, as long she’s well-behaved, will be respected and helped by Esther.


Madam Esther Sheridan came from England in the end of 1890. No one knows why she came, and there’s lots of gossip about the reasons she came to America. The fact she’s linked with the Century Club don’t help: many believes that the Club is a weird kind of cult.

Esther don’t care, because she knows by her heart why she came: to maintain, with Club’s help, and orphanage and boarding school, from where she could find some of the 20th Century Spirits and teach them their roles (and maybe use them to recover Shadows from their dark path).

But the more incredible was when she received a letter from a preacher from a backwater township in New Mexico, about the Last Will from a dame that gave birth for a child into tragic circumstances in January 1st, 1901.

Her name: Jeniffer Cartway, née McCoulaugh.

She had no time or right to get herself into a better emotional stance, when recognized the name of an old friend from the England’s Boarding School, a vibrant and intelligent woman that came to America as long she finished school.

Esther got into train and made the thousand miles train voyage to New Mexico, where she got into the little Township, where she got with the preacher the little kid. By her eyes, Esther knew: she found one of the 20th Century Spirits.

When she got back to the Orphan’s House, the little girl grown with the other kids, without any extra rights. So, she developed lots of knowledge and skills to interact with them, making that everyone (including herself) did their best in everything: the cookie profits was always the best; the Christmas Cantatas was always beautiful and profitable; and everything was very goo, with lots of importance on her, that she shared with the other kids.

It was when, some months ago, she decided to talk with Melissa about the Century Club: as all the kids in Melissa’s age was receiving some teaching outside the Boarding School (almost everyone via the Club’s Outer Circle), the time has come to Melissa to learn and take her role with this Century.

And, if Esther can do this, she’ll do this with all elegance and elan!

Review - Young Centurions

  • Nicola Castrogiovanni got away from his foster home and get into the circus. He had worked for the food he ate and was put into the show as a little clown, and then a lion had gone mad and got rampant into the circus (work of his foster brother). But, with his optimism, as Spirit of the Optimism, he made it stop just by talking respectfully with it!
  • The Irish community at Clinton, New York, is being menaced by some goons from the local crime syndicate. But they ran away, putting the tail between their legs when Mairead Mag Raith remember people the importance of Neighborhood, as she is the Spirit of the Community, and they fight for their place
  • Ibi, Spirit of the Earth, confront some mean hunters in the middle of Amazon Forest. When she was catched by some people, including a Nobility Shadow. But when she felt she was alone, her mentor, the 19th Century Spirit of the Earth shows herself and help her to scape.

Alright: you had read Spirit of the Century, some of the Spirit of the Century presents books and Young Centurions series (if you don’t, go and read it. JUST DO IT!). And you thought on putting your kids (or grown-up kids: as a very wise Doctor said sometime, There’s no point being grown-up if you can’t be childish sometimes) living their own adventures against goon bosses, powerful mind kids, or hunters in Amazon Forest or drug dealers in New York (believe me, the last ones were really fun), with kids that are able to do things that others can’t.

We are not speaking about doing lighting bolts, fireballs or so (there’s other RPGs about this), but being able to convince people to give them clean clothes, calling to the other’s hearts, putting their fantasious mind to work against goons, or by calling the Earth’s and Nature’s heart to her help.

Young Centurions RPG is that one.

Young Centurions is a Fate Accelerated Edition (FAE)-powered RPG by Evil Hat that bring us back in the history of the Spirit of the Century setting. In the 1910s, the old time 19th Century Spirits, the ambitions and hopes from the 19th Century, are now weak and searching the world by the special kids that were born in the first seconds of the 20th Century beginning at January 1st, 1901, to bring them to the Century Club, the special institution where they’ll learn about their special knacks as 20th Century Spirits and about their counterpart, the Shadows, the death-rattle left by the last century and the darkest ambitions and desires the new Century will bring on. This millennial fight between Spirits and Shadows someway affects the future of the world.

But there are not only the Shadows as Enemies: mad scientists that messes with magical powers, monstrous guys with green eyes and dark ambitions, intelligent gorillas, crazy mobsters with faces made of a weird kind of living metal, and a thousand-year man that works magics with mathematics. All of them are enemies.

And there are also other kinds of adversities: school, bullies, homework, fighting against other kids’s gangs… And do all this getting back home before supper without losing their baseball cards… Or else!

And it’ll be on this setting that your players will fight against terrible enemies, discover wonders and start their fight for the 20th Century! All of this in the time between school and homework!

The Book

Young Centurions is a beautiful book, with 160 pages (very big for FAE standards), with all the rules needed to play young Centurions adventures. The art is beautiful and the text is fluid, like any Evil Hat product. The books is split into 10 Chapters, Introduction, Example of Play and Index. Let us see a little about it:

In the Introduction we have some examples of the kind of people that would be Spirit Centurions, some text about what Young Centurions is all about, the supplies you need to play, about Game-mastering and the requisites for kid players and so (things like be able to read, write and stay focused);

Chapter 1: The World of Young Centurions explain us about the 1910s world, the world were the Young Centurions lives, and about the kind of setting pulp adventures are, and what kind of heroes are the pulp heroes like the Young Centurions (and yup, Dora The Explorer could be a pulp heroine, in the end). We see the kind of people that are the Spirits, that can as much deal with problems than be involved into them.

We learn also about the Century Club, the Society that provides support, tutelage and training for the Spirits, so they can fight against their counterpart, the Shadows, and about the Retainers, some of the Century Club supporters that, although not as powerful than the Spirits, have some little powers based on the fact they were birth into the first day of each decade that provides them with tools to try and find and mentor the Spirits. There’s also tips about how the Club find and recruits the Spirits and about the dangers involving the false positives that can make them find a Shadow instead of as Spirit. And we learn a little about the 19th Century Spirits, the Centurions from the past, now devoid from the most of their powers, but still strong enough to mentor the New Century Spirits.

And there’s also the Shadows: born in the last seconds from the previous Century, they represent the death rattle from the past, the ambitions that could go havoc into this century, the skeletons in the attic that humanity left behind. They are exactly like the Spirits, only evil. But not all Shadows are necessarily mean: they are those who are able to spread discord, and with an alarming ease and knack, and even when they do good things there’s a dark taint on their good that sooner or later could result into bad results for those they help. The conflict between Spirits and Shadows came from so long back in time, and they are somewhat important to make clear the path humanity can go.

And one of the functions the Spirits have is to hunt Shadows: to redeem them if possible, imprison if not. Sometimes, a Shadow can be redeemed someway. And unfortunately sometimes a Century Club Retainer find a Shadow instead of a Spirit, as the birth records are not reliable and the Shadow’s knacks and abilities.

Still in the Shadow’s topic, there’s fortunately no kind of Century Club, Evil Edition, as the Shadows repeals each other into their search for power and so. Although some Shadow Retainers (called Negatives) and 19th Shadow Centurions still lingers in the world to mentor those Shadows humble enough (or clever enough) to submit themselves to them (at least for some time), normally Shadows are not humble enough to do this. And we could say fortunately, as a Negative/Shadow combo is powerful enough to bring trouble easily.

And good and evil isn’t made only of Spirits and Shadows: the “common” world has their fair share on heroes and villains, From mobsters and cops to crazy scientists and Science Heroes like Doc Savage or Tom Strong, in Young Centurions there’s lots of people that can help (or hinder) the Spirits. In fact, you can see that is there a great chance the Spirits be helped by non-Spirit good people, like cops, scientists, and even Pa and Ma. There’s also other secret societies involved into the mysterious time in Young Centurions, like Ars Scientia, the Jade Lotus and the blossoming organized crime that would in the future bring birth to Mafia, Cosa Nostra and other criminal leagues. The exception are those from the Orient, like the Chinese Triads and the famous Japanese Yakuza, as they came from a historical background of blood, honor and crime.

And in the end we have a background in the 1910s, on how the society is growing progressive at one side, while the shadow of the Great War (World War I) is growing like a hate tsunami. You also receive some ideas on how to use the historical events, like the Titanic crash or the Assassination of Archduke Ferdinand, and other things. You can also bring your characters into the ill-fated Madeira-Mamoré Railway construction field, in the middle of the Amazon, with cannibal indians, tropical disease… Or it was this? Only the Centurions knows.

And there’s also about what was being a child in 1910s, before iPods, Internet, even computers, TV and so. Young Centurions bring us a very detailed idea on how was to be a kid in the 1910s, playing baseball or capture the flag, buying saltwater taffy and Tootsie Rolls with their pocket money (normally given after they did a good thing, like being the best one in Spelling Bee or after lawning the grass). And there was always the pulp magazines, called this way because the cheap kind of paper they are made (you can compare them, somewhat, with the pocket books you buy in airports), like Argosy, Weird Tales, or Blue Books, with adventures from Doc Savage, Tom Swift, Conan the Barbarian, Captain Future and so on!

So, we end Chapter 1

Next, Chapters 2 to 5 bring the basic rules for Young Centurions, about how to create your Young Centurion (Chapter 2), resolve simple actions (Chapter 3), deal with more complex situations (Chapter 4), and deal with that kind of situation where your Character is walloped by the local bully and you need some Iodine on your knee (Chapter 5). For those who already played FAE before, there’s not too much extra info here, but some rules are better described here, so the reading is recommended. And if you didn’t played FAE (or even RPGs) before, don’t worry: the rules are well-described and easily understood. Just need to give a good read and rules will be soon understood, and even you have some confusion, don’t worry: everyone does mistakes from the beginning. Read the book, play, read again, play again and repeat the cycle over and over and, sooner as you can believe, you’ll learn everything you need! For the veterans, there cool new material here, like the new Initiative system, more cinematic than the normal sequential system; tips about guns in a setting like Young Centurions, focused on little kids (NO ONE SHOOT KIDS!) and so.

Then, we have Chapters 6 to 8, focused on topics that were talked into Chapters 2-5, but that need a better detailing, like Aspects and Fate Points (Chapter 6), Stunts (Chapter 7), and Character Advancement (Chapter 8). Again, for the veterans, there’s more details and some new rules, specially the Centurion Stunts, a more powerful stunt that Spirits (and Shadows) have. There’s also a good set of Stunts Packages, pre-built stunts that you can you use based on the kind of character you want to play, by picking those you like and get in action very fast. For those who are green into RPGs, those chapters get into some detail that would be a little difficult to understand at first, but getting back on them after an adventure or two (or even while playing) will make things more knowledgeable.

And for those green into RPGs, before getting into GM stuff, there an Example to Play that shows how the rules works and how to translate rules into narrative and vice-versa. It’s very fast and simple and provide also guidelines showing which rule is being addressed where. It’s very cool and should be read and understood before getting into a game.

And now we have the kind of things that normally only the GM, the Game Master that adjudicate and moderate all the things in the table, should know (at least for a start).

In Chapter 9, there’s some discussion on the GM’s Job, tips on how to deal with kids in playing, how to put adults NPCs (Non-Player Characters, the ones that the GM uses) and how to build your campaign, including guidelines on how do set your campaign rating, so you can deal with violence and other sensitive issues in adequate levels. Then you’ll have tips about scenarios (the adventures your characters will try to solve) , setting the difficulties of the tasks and so. And then we have how to play the NPCs, from the Mentors that brought the characters to the Century Club to the group of Homicidal Alien Robots that want to EX-TER-MIN-ATE! everything (I catched the reference, Evil Hat!). For the veterans, there’s lots of new tips here, like the campaign rating, the scenarios creation, and some new tips on how to create new stronger mooks, the experts, more stronger on things even more specific. The read is a must.

To finish, Chapter 10 bring you some resources, like some adventure hooks (the Old Man Jenkins… Could he wants some Jelly Babies?), tips on how to create new hooks, some sample characters, either Young Centurions, Mentors, Shadows and Retainers, including some old fellows for those who read Evil Hat’s books, like Sally Slick, Jet Black, Benjamin Hu, Jared Brain and (gulp!) Doctor Methuselah. And in the end, some reference books and Movies, from Little Princess and Mary Poppins to Goonies and Doctor Zhivago, for inspiration!

The book is very beautiful, a exquisite artwork and layout, and a very fluid reading. The rules are described enough to not scare newbies and, at the same time, provide veterans with new things that they can use into their adventures. The setting description in Chapter 1 is a really must read, so you can understand where you will be putting yourself. The sample characters and so are very funny, and it’s incredible for those who already ready Spirit of the Century things to understand that this is the beginning of everything, the ground zero, the first mile for them, where they put themselves asides by choice, to fight the good war and for great deeds.

I recommend this as a 5/5 stars product. This is a must be product for everyone, either those who like pulp, like Fate, like Spirit of the Century or want a good, family focused, pulp-esque setting. You will soon want to have your character doing stuff like fighting the Steel Syndicate side by side with Sally Slick, or maybe trying to avoid the drug Fortivitus to be sold and make people goes amok into 1910s New York with Mairead Mag Raith and Nicola Castrogiovanni (PS: my characters and adventure)

DISCLAIMER: I’ve received copies of Sally Slick and the Steel Syndicate, Young Centurions and the upcoming Sally Slick and the Miniature Menace from Evil Hat for review. This review express my own opinions and only my own, and they can be not accurate. I would like to thank my cousin and friend Leonardo Melo, that did some corrections in the text. Thank you, Leo!

Marcellus “Malakar” Alatriste - Spirit of Fantasy


Type Aspect
High Concept A boy full of dreas, many of them that can be true
Trouble Totally over the clouds
  “Hey, I want to see (and hear, and talk) this story!”
  “And it was so that happened…“ - always go for the most fantastic solution
  If we dream togheter, it can be true - Blessed by Aesop


*Approach Level
Careful Mediocre (+0)
Clever Fair (+2)
Flashy Bom (+3)
Forceful Average (+1)
Quick Average (+1)
Sneaky Fair (+2)

Centurion Stunt

  • Vivid Dreams Marcellus can use his storyteller skills to induce people into a “fictional” setting where he can put some details and they only get out when Marcellus wants or by accomplish some objective he put in the moment he call this. Two times per session he puts in game a Dream-land Aspxet, with a Free Invoke. Marcellus’ player need to describe what this Dream-land is all about, and the objective to be accomplished. The Aspect stay in game while the targets were “locked” into those Dream-land (max. one scene or until Marcellus is take out)

Common Stunts [ Refresh: 2 ]

  • Thespian (p. 100)
  • Raconteur (p. 100)
  • Stage Magician (p. 100)


Marcellus is a very uncommon looking kid: hay colored hair into a traditional haircut, green eyes, a little skinny, but with an elegant cut. He is always impeccably well-dressed no matter what.


Marcellus looks like (and is) somewhat out of reality. But take this as a Peter Pan Syndrome, you didn’t understood him: he’s clever and very aware of what’s happening. He just likes to find the most inspiring, fantastic, out-of-box, uncommon sollution.


Marcellus is from a family with great tradition in the racounteurs, storyteller, circus, vaudeville, theater and all kinds of storytelling. His father has blood from the first King Lear, and her mother can track his ancestor to the Comedia Dell’Arte.

When Marcellus was born a little after the End of Year presentation, when 20th Century was born from the ashes of 19th Century, they felt in their hearts the blessings of Aesop, Thalia, Melpomen, Clio and all the Muses amd Deities and Patron Saints for arts and artistes.

This was shown as true very soon: when he was two, he already learned how to read. With three, debuted into stage. With five, already was rehearsing for important roles.

It was when his family was found by that weird man called Aesop, that said that Marcellu should be sent to the Century Club, a society of gentlemen and women that is focused into mankind’s evolution, to be tuteled. He wasn’t in the club himself, but he had very important contacts into the Club that could teach hum and work son Marcellus could develop his talents and put them at work as much as possible.

And so, Malakar (his stage name) started to get into his own story. His own tale. His own Fable.

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